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Machine Creative [MKiDN Scholarship "Culture on the Web"]

Introduction | WstępThe creative process begins with an idea that the artist initially carries within himself. Then he tries to bring it out and show it the world using the chosen medium. I would like to uncover this process for my audience. Invite creators, artists, and viewers to participate as an active commentator, shy observer, or direct participant. A machine-object will be used to show the creative process, the construction of which I will register, and make public. The source is a modern technology of 3D printing, resulting from my previous creative researches. I will reveal an observation of the development of the work, its creation, and its gradual evolution in the form of photo-video documentation in the Internet media. The final object will be both a work and a mechanical creator of subsequent objects created based on contact with recipients, their observations and built meanings. The object itself is a buckle that binds the idea of the project together. The last st…
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The Faces of the Circle [WRiI ASP:Gdańsk:Poland]

The Faces of the Circle
artistic part of the doctoral dissertation in the discipline of fine arts
Oblicza koła
część artystyczna rozprawy doktorskiej w dyscyplinie sztuki piękne



zbiór 0. (eng. 'Set 0.') seria 12 obiektów, 2017, FDM PLA, ok. 20 × 21 cm każdy series of 12 objects, 2017, FDM PLA, ca. 20 × 21 cm each






zbiór 1. (eng. ‘Set 1.’)
cykl 11 obiektów, 2017, FDM PLA, 20 × 21 cm każdy
cycle of 11 objects, 2017, FDM PLA, 20 × 21 cm each








zbiór 2. (eng. ‘Set 2.’)
obiekt, 2017, FDM PLA, 20 × 30 × 8 cm
object, 2017, FDM PLA, 20 × 30 × 8 cm


Alloy [WAR:miejsce sztuki44/FAMA 2017:Świnoujście:Poland]

Alloy
installation/object, 2017, extruders, electronic driver, PLA, plywood

Aliaż
instalacja/obiekt, 2017, ekstrudery, elektroniczny układ sterujący, PLA, sklejka

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Alloy is a continuation of the deliberations on three-dimensional print, in which deconstruction of the process takes place. The final object, based on the basics of the technology and using its compound elements, entirely loses its functional meaning.
Only the two elements used for extruding material are extracted from the device [FDM printer] and posed opposite each other. Controlling the position was eliminated from the process, and the structure increase is based on variable physical factors. The lack of direct control over the movement of the print heads and their rigid attachment to the walls of the object eliminates the possibility of creating a strictly determined form. Control is limited to the most basic of functions, i.e. maintaining the proper temperature of the printing head and inducing…

Sound of image | Image of sound // Notes [Warsaw Biographies:Profile Foundation:Warszawa:Poland]

Sound of image | Image of sound // Notes
happening, 2017, 3D print (PLA)
Dźwięk obrazu | Obraz dźwięku // Zapiski
działanie, 2017, druk 3D (PLA)

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Sound of image | Image of sound is a happening at the gallery of Profile Foundation in Warsaw as part of the Warsaw Biographies project. The idea was to meet with the people of Warsaw. The natives, tourists, students, but also those who came here looking for a new life. During the meeting, everyone could recall a picture of the first memory associated with this multidimensional city and tell about it. Each statement was recorded in audio form, and during the registration itself a material object that was a physical recording of the voice was created.
The author's instrument was used to transform speech to relief images. An individual character of each statement was captured in a technology based on 3D printing.

The presentation was complemented by an interactive wall-based projection that depicted sound in real-time…

(Un)necessary [10th Multi.Art:Kalisz:Poland]

(Un)necessary
object, 2016, 10×10×15 cm: 3D print (PLA)

(Nie)zbędne 
obiekt, 2016, 10×10×15 cm: druk 3D (PLA)

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The object was created as a result of the observation of 3D printing technology. Sequences of numbers and algorithms have only become guidelines for its physical representation. Expected tool inaccuracy, non-uniformity of the material and a number of external factors make, what might seem possible to duplicate information, in fact, an individual and unique form.
Similarly, as in the case of other processes (eg. casting), so here appear elements, unwanted in the final object, but necessary due to technological reasons. Usually removed by the author, they reveal the nature of the process and constitute its clear record. Thin threads are traces of the print-head movement. At the same time their multiplication and density become the basic building material of space.


Obiekt powstał jako wynik obserwacji technologii druku trójwymiarowego. Ciągi liczb i algor…

Populations [Ciało otwarte:miejsce sztuki44/FAMA 2016:Świnoujście:Poland]

Populations
installation/objects, 2016, 15 × Ø120×20 mm: medical cabinet, Petri dishes, 3D print (PLA)

Populacje
instalacja/obiekty, 2016, 15 × Ø120×20 mm: szafka lekarska, szalki Petriego, druk 3D (PLA)

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Populations are the result of my wander through many systems and meanings. Digitally generated and virtually soulless piece has its roots in mathematical theories that represent natural phenomena. On the other hand detail is the record of process that results from physical character of used material and tool.

Populations were created inside Petri dishes – a laboratory glassware, which is used to culture microorganisms. Geometrical plan of a 3D print was developed with mathematically generated height map and resulted in three-dimensional model. Organic form reminds of urban patterns. Digital representation was complemented by trace recording of print-head movement over the object. Purely technical form was completed by action, that is dependable on physical basi…